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The High Altar
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The reredos, the ornamental screen behind the High
Altar, is the work
of Salviati of Venice and was given to the church by its founder
Douglas
Horsfall: it was dedicated on All Saints` Day 1901.This fine piece of
work
consists of inlaid mosaic and surrounding paintings; the central mosaic
panel features Christ`s crucifixion with figures of the four
evangelists,
Matthew, Mark, Luke and John. We are trying to establish more details
about
the manufacture and installation of the reredos, and would welcome any
information.

If you look closely at
this fine piece of work, two curious features become clear. The faces
of the angels on the wings of the reredos seem to be identical (and
possibly a set of transfers rather than paintings) - but two of them
are facing the wrong way. The bottom left angel is facing outwards
rather than, like the rest, inwards, and there is a corresponding
anomaly on the right hand panel (not shown). Close examination of the
actual figures, and in particular their backgrounds, show that they
were certainly individually painted: the 'ihs' monogram (iesu hominem
salvator) above the head of the angel shown here - from the right hand
panel - lacks the letter 'i'. Careless work by a pupil perhaps?
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There are seven Chancel Lamps located in front of
the High Altar.
In this view, taken from the organ loft, you can see the cased banner
of St Faith on the sanctuary wall, and to its right, behind one of the
lamps, the new processional banner.
There are six candlestcks on the upper altar shelf, and
four on the
lower shelf.
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